In 1993, Daniel Myrick and Eduardo
Sánchez began development on what would eventually be a low-budget horror film told
entirely through handheld cameras from a first-person perspective. The concept came from how both men found
documentaries on the paranormal scarier than traditional horror films. The end result was a sixty-thousand-dollar
indie film called The Blair Witch Project. The tiny film would end up grossing over
two-hundred and forty-eight million dollars at the box office, a ratio of one
dollar for every ten-thousand, nine-hundred, and thirty-one made. The Blair Witch Project would end up
in the Guinness Book of World Records for "top budget box office
ratio" for a mainstream feature film, becoming one of the most financially
successful, well-recognized, and influential indie films from the 20th
century. It spawned a sequel, a remake, multiple
video games, books, comic books, and even a real documentary on the film’s
production. The film revived the
found-footage genre as well as popularizing the idea of telling stories using the first-person perspective.
Thursday, October 31, 2019
Monday, October 28, 2019
Thursday, October 17, 2019
Wednesday, October 16, 2019
Tuesday, October 8, 2019
Only Lovers Left Alive Revisited or: A Mesmerizing Vampire Story Unlike Any Other (Film Analysis)
Being a vampire suCertainly isn't
all fun and games.
Note: This is my second review of Only Lovers Left Alive. Here's my original review from 2014, written back when the film first released.
Wednesday, October 2, 2019
G.B.F. or: One of the Most Incredibly Entertaining, Notably Progressive Films You've Never Seen (Film Analysis)
G.B.F. is one of the most
incredibly entertaining, notably progressive films you've most
likely never seen.
Tuesday, October 1, 2019
The King's Speech or: A By-the-Book Drama that Truly Works in its Traditional Approach (Film Analysis)
In 1925, King George V reigns over
a quarter of the world's people. It is a
time of relative peace, yet drastically increasing tension. The Great War has since concluded, yet an
even greater war is closing in on the horizon.
The British Crown no longer has the same authority they once had before,
yet they are still the United Kingdom's figurehead—a representation of that
country's power and dignity. In the
older days, all Kings had to do to represent such aspects was to look
respectable in uniform and not fall off their horse. With the advancements and increase in radio
broadcasting, however, royals are expected to, as King George V (Michael
Gambon) puts it himself; "invade people's homes and ingratiate ourselves
with them." a duty he humorously does not think very highly of; "This
family's been reduced to those lowest, basest of all creatures. We've become
actors."
Trust or: The Dangers of Modern Sexual Predators & the Double Standards within American Society (Film Analysis)
My opinions have vastly changed throughout
the 2010s, with film being no exception. There was a time where I consider Trust
to be my favorite film of 2011, placing it right above the likes of Take Shelter, Drive, and The Tree of Life. Those feelings have since
changed, with Trust no longer standing above these films. There was something about Trust that
profoundly affected me during the beginning of the decade that, upon
rewatching, has not been replicated nearing the end. Yet while I no longer see Trust as the
masterpiece of filmmaking I once considered it,
I do see it as a powerful film that explores how sexual predators work
within our modern technological society, as well as an examination of the
double standards found within American society.
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