2016 has, so far, been the weakest
year in film of the 21st century.
Tuesday, February 28, 2017
Sunday, February 26, 2017
The Handmaiden (Film Review)
One of the highest complements I can
give to a story is it left me giggling like an excited school girl.
Saturday, February 25, 2017
The Invitation (Film Review)
The mark of a good thriller is having its audience never truly certain about what’s going on…at least until the very end.
Fences (Quick Review)
2016 has been a poor year in film, and I need look no further than its Best Picture nominees for such reinforcement. Six out of the nine nominees are either mediocre to subpar in storytelling, wasteful in potential, or a mix of both. The noticeable fault shared by these films (in addition to a large chunk of 2016 cinema) is their inability to get me emotionally attached to their characters. Manchester by the Sea and Hell or High Water are prime offenders; I simply did not care enough about the characters to get invested in their plights. There’s only one nominee I consider Best Picture worthy—a film that breaks from the masses with superb writing techniques and beautiful character development—and that saving grace is Fences.
Sunday, February 19, 2017
Monday, February 13, 2017
Sunday, February 12, 2017
Thursday, February 9, 2017
Monday, February 6, 2017
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