Sunday, February 26, 2017

The Handmaiden (Film Review)

One of the highest complements I can give to a story is it left me giggling like an excited school girl.

Saturday, February 25, 2017

The Invitation (Film Review)


The mark of a good thriller is having its audience never truly certain about what’s going on…at least until the very end.

Fences (Quick Review)

2016 has been a poor year in film, and I need look no further than its Best Picture nominees for such reinforcement.  Six out of the nine nominees are either mediocre to subpar in storytelling, wasteful in potential, or a mix of both.  The noticeable fault shared by these films (in addition to a large chunk of 2016 cinema) is their inability to get me emotionally attached to their characters.  Manchester by the Sea and Hell or High Water are prime offenders; I simply did not care enough about the characters to get invested in their plights.  There’s only one nominee I consider Best Picture worthy—a film that breaks from the masses with superb writing techniques and beautiful character development—and that saving grace is Fences.

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