The Spectacular Now Part 3: A Mature Coming-of-Age Romance with Two Spectacular Performances (Film Analysis)

LINK TO PART 2!!!

The Spectacular Now Part 2: A Mature Coming-of-Age Romance with Two Spectacular Performances (Film Analysis)

LINK TO PART 1!!!

The Spectacular Now Part 1: A Mature Coming-of-Age Romance with Two Spectacular Performances (Film Analysis)

There are occasions where the wrong elements of a story get engrained into my brain.

Note: This is my second review of The Spectacular Now.  Here's my original review from 2013, written back when the film first released.

Spring Part 2: A Wonderful, One-of-a-Kind Amalgamation of Romance, Horror, Comedy, and Self-Discovery (Film Analysis)

LINK TO PART 1!!!

Spring Part 1: A Wonderful, One-of-a-Kind Amalgamation of Romance, Horror, Comedy, and Self-Discovery (Film Analysis)

An immortal being, thousands of years old, containing the DNA of all its past evolutionary organisms.  A monstrosity of stingers, beaks, tentacles, and claws unexplainable by science.  The creature lurks among us in secret, draining the blood of its victims—whether beast or human—like a vampire.  Spring is about this grotesque abomination…

...finding true love.

Note: This is my second review of Spring.  Here's my original review from 2016, written when I first saw the film.

Only Lovers Left Alive Revisited or: A Mesmerizing Vampire Story Unlike Any Other (Film Analysis)

Being a vampire suCertainly isn't all fun and games.

Note: This is my second review of Only Lovers Left Alive.  Here's my original review from 2014, written back when the film first released.

Ex Machina Revisited or: The Modern Frankenstein (Film Analysis)

The complete title for Mary Shelley’s 1818 novel Frankenstein is Frankenstein; or, The Modern Prometheus.  Both Prometheus and Frankenstein are cautionary tales of the unintentional consequences of the strive for scientific knowledge, as well as the overreaching of one’s position in life.  If Frankenstein is the modern Prometheus, then Ex Machina is the modern Frankenstein.

The End of the Tour Revisited or: How Terrific Performances can Turn an Average Script into a Great Film (Film Analysis)

The End of the Tour has a deceptively simple plot.  A magazine journalist goes to interview a writer, has various discussions with him, and then leaves with his story.  The plot itself is nothing great, I'd even call it rather average overall.  It is neither revolutionary nor innovative in its approach and does nothing to shake up its medium’s narrative structure, unlike the writer’s own creation.  Yet The End of the Tour is a great film, and its greatness lies with its two lead actors.  Here is an extremely lowkey film featuring two incredibly down-to-earth, relatable performances with fantastic chemistry.

This is the End Revisited or: A Trifecta of Good Aspects that Make for a Great Comedy (Film Analysis)

Note: This is my second review of This is the End. Here's my original review from 2013, written back when the film first released.

There’s a simple story that comes with my first viewing of This is the End.  I went into the theaters in a particularly sour mood and came out with the biggest smile on my face.  A film that can get rid of a bad attitude is automatically a success, but This is the End goes a few steps above your typical Seth Rogan stoner film.  I originally referred to such elevation as a trifecta of good cast, comedy, and heart.  Revisiting the film, however, has given me better clarity as to This is the End’s true trifecta and why it so effectively resonates with me.

The Fault in Our Stars Revisited: At Times Cheesy, At Times Lovey-Dovey, and At Times Powerfully Relatable (Film Analysis)

Look, I’m not going to sit here and write that The Fault in Our Stars isn’t cheesy, or sappy, or lovey-dovey at times.  The film has these aspects, it embraces them to the point of occasionally being cringy.  Two teenagers making out in the Anne Frank House while those around them clap and cheer is not what I consider quality writing.  The thing is, The Fault in Our Stars is still effective with its story, and at its highest points, downright powerful.  That’s because beneath the cheese, and sappiness, and lovey-dovey affection, are two very human characters portrayed by two talented actors—and its these actors who keep The Fault in Our Stars enjoyable and fresh during the lowest of times and potently compelling during its better-written scenes.

Blue is the Warmest Color Revisited: Is it Still Great? Are the Sex Scenes Still too Long? (Film Analysis)

Blue is the Warmest Color is certainly one of my more memorable trips to the movie theater.