With such hype and controversy surrounding it, The Interview has clearly not lived up to its reputation.
In fairness it’s not a bad film like The Green Hornet, nor is it unfunny like Guilt Trip, but compared to last year’s This is the End (one of my favorite films of 2013), The Interview is nothing more than fairly mediocre entertainment. Even dealing with such a controversial theme as North Korea (with endless comedic possibilities and shockers), The Interview feels relatively tame and held back; even its explosive ending lacks the impact one would expect (the most shocking thing about The Interview was how they got Eminem to satirically admit he’s gay…at least I assume it’s satire). There are also issues with the camerawork; scene transitions feel rushed and sudden, moving hastily along with very choppy editing. Seth Rogen films have a natural habit of creating likable characters and bonds, yet The Interview’s haste gives very little time for any such development; instead Dave (James Franco) and Aaron’s (Seth Rogen) bond comes more from the actors’ real friendship rather than their characters.
In fairness it’s not a bad film like The Green Hornet, nor is it unfunny like Guilt Trip, but compared to last year’s This is the End (one of my favorite films of 2013), The Interview is nothing more than fairly mediocre entertainment. Even dealing with such a controversial theme as North Korea (with endless comedic possibilities and shockers), The Interview feels relatively tame and held back; even its explosive ending lacks the impact one would expect (the most shocking thing about The Interview was how they got Eminem to satirically admit he’s gay…at least I assume it’s satire). There are also issues with the camerawork; scene transitions feel rushed and sudden, moving hastily along with very choppy editing. Seth Rogen films have a natural habit of creating likable characters and bonds, yet The Interview’s haste gives very little time for any such development; instead Dave (James Franco) and Aaron’s (Seth Rogen) bond comes more from the actors’ real friendship rather than their characters.