Sunday, May 31, 2020

Monday, March 30, 2020

Take This Waltz Part 2: A Beautiful Cautionary Tale on Love and Desire (Film Analysis)


Take This Waltz Part 1: A Beautiful Cautionary Tale on Love and Desire (Film Analysis)


The late, great Roger Ebert once wrote a piece on how the film La Dolce Vita helped him “measure the inexorable progress of time.”  Each decade from 1962 to 2002 he saw the film and each decade his view on it altered based on his own experiences and gained knowledge in life.  I first saw Take This Waltz in 2011, and watched it again in 2020.  While it hasn’t been a decade yet, my life has vastly changed during those nine years.  I’ve graduated, own a house, a dog, and a cat, had several jobs, and most notably been married for over five years.  My marriage is the key to this review.  My understanding and perspective of Take This Waltz has altered vastly between viewings—as has my immense appreciation.  Where I once viewed Take This Waltz as an interesting love triangle romance-drama has blossomed into a beautiful cautionary tale on love and desire—full of clever, deceptive storytelling, fleshed-out characters, lovely cinematography, and a knack for going against Hollywood conventions.

Sunday, March 29, 2020

The Artist's Disappointing Missed Opportunity (Film Review)


The Artist is a love letter to silent films in addition to the Golden Age of Hollywood.  It is filmed entirely in black and white, primarily silent—using classic techniques such as title cards to tell its story—and pays homage to many films of the classic era (from early silent films all the way to the 1940s with films like Citizen Kane).  I love watching silent films—even the poorest quality ones have something to offer in terms of telling the birth and evolution of cinema.  But when I come across a great one, a silent film with passion made by people showing zeal and ambition to this newborn craft, it is an absolute treat.  Heck, my very own blog is named after one of the greatest, most innovative silent films ever created (as well as one of my favorite films): Buster Keaton's Sherlock Jr.

Wednesday, January 29, 2020

Spring Part 1: A Wonderful, One-of-a-Kind Amalgamation of Romance, Horror, Comedy, and Self-Discovery (Film Analysis)


An immortal being, thousands of years old, containing the DNA of all its past evolutionary organisms.  A monstrosity of stingers, beaks, tentacles, and claws unexplainable by science.  The creature lurks among us in secret, draining the blood of its victims—whether beast or human—like a vampire.  Spring is about this grotesque abomination…


...finding true love.

Sunday, December 15, 2019

Ford vs Ferrari (Film Review)


Ford vs Ferrari is a good film that's structure has been seen many times before.  It adheres closely to the Hollywood biographical drama formula just with a new setting of the titled auto manufacturing companies competing to win a car race.

Saturday, December 7, 2019

How to Train Your Dragon 2 Revisited or: A Sequel that Succeeds on Multiple Levels and Exceeds the Original in Certain Areas (Film Analysis)


How to Train Your Dragon 2 was a very anticipated film for me back in the summer of 2014.  I went so far as to avoid all trailers and spoilers so as not to sully the experience, including avoiding looking at McDonald's cartons that had pictures of what Hiccup and friends looked like as young adults.  Sounds crazy, definitely kind of crazy, but that's just how hyped and determined I was to see this film with a fresh mind.  I had seen and loved the first film and watched both seasons of its TV series DreamWorks Dragons that had aired at the time.  This wasn't just a sequel to a previous film for me, but rather a continuation of a story I had become genuinely invested in.

Note: This is my second review of How to Train Your Dragon 2.  Here's my original review from 2015, written back when the film first released.

Wednesday, December 4, 2019

How to Train Your Dragon Part 2: How Visual and Sound Turn a Good Story into Something Amazing (Film Analysis)

LINK TO PART 1!!!

Using the knowledge gained from his time with Toothless, Hiccup succeeds in passively defeating and/or befriending the training dragons in fighting class.  Despite such successes gaining his peers’s praise (aside from Astrid, who grows jealous over Hiccup becoming the new star student), Hiccup is more preoccupied with getting Toothless back in the air again—for a more accurate lesson Hiccup was taught is that a downed dragon is a dead dragon.  Being the inventor that he is, Hiccups begins designing a tail flap to replace Toothless's missing scale.  Hiccup discovers, however, that the artificial wing will not remain open when Toothless flies alone.  As such, Hiccup builds a saddle for him to ride and help assist Toothless in flying.  The film’s excellent pacing is shown off here with a split montage of Hiccup building the flying device while training at classes.  I love how naturally the scenes move from Hiccup just trying to build an artificial scale for Toothless to saddling up to fly with him.

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